أعرض تسجيلة المادة بشكل مبسط

dc.creator Elena Neva
dc.date 2004
dc.date.accessioned 2013-05-30T13:39:32Z
dc.date.available 2013-05-30T13:39:32Z
dc.date.issued 2013-05-30
dc.identifier http://www.transoxiana.org/0108/neva-art_jewelry.html
dc.identifier http://www.doaj.org/doaj?func=openurl&genre=article&issn=16667050&date=2004&volume=&issue=8&spage=
dc.identifier.uri http://koha.mediu.edu.my:8181/jspui/handle/123456789/5867
dc.description The aesthetic language of art encompassing a vast historical period is very complex and can be difficult to read. In order to understand those artistic facets that make jewelry art from IV BC-IV AD unique we will utilize the following tools: 1. A set of major concepts used in applied art (i.e. a type of "dictionary") 2. A set of rules that define how these concepts can be blended and transformed within the "text" of the aesthetic language (i.e. "grammar") We will use this "dictionary" of concepts to identify, compare and contrast the artistic features of IV BC - IV AD art, as well as their refractions, "citations", blending and transformation in the monuments of Central Asian jewelry art.
dc.publisher Universidad del Salvador, Buenos Aires, Escuela de Estudios
dc.source Transoxiana - Journal de Estudios Orientales
dc.subject Joyeria
dc.subject Asia Central
dc.title Artistic Features of Jewelry Art from Central Asia (IV BC-IV AD)


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أعرض تسجيلة المادة بشكل مبسط