| dc.creator |
Massimiliano Barbera |
|
| dc.date |
2003 |
|
| dc.date.accessioned |
2013-05-30T13:27:14Z |
|
| dc.date.available |
2013-05-30T13:27:14Z |
|
| dc.date.issued |
2013-05-30 |
|
| dc.identifier |
http://www.humnet.unipi.it/slifo/articolobarbera.pdf |
|
| dc.identifier |
http://www.doaj.org/doaj?func=openurl&genre=article&issn=17245230&date=2003&volume=1&issue=&spage=1 |
|
| dc.identifier.uri |
http://koha.mediu.edu.my:8181/jspui/handle/123456789/5772 |
|
| dc.description |
The presence of sea terms and metaphors in the linguistic studies begins with Sapir s idea of drift . But we can point out a notable increase of the marine vocabulary in the non-linear phonology. Bolinger develops a large metaphorical reasoning in order to interpret and represent the vocal instrument and, above all, the intonation as a multi-dimensional and thalassomorphic matter; in particular he emphasizes how emotional aspects give rise to vocal tides. Afterwards Goldsmith and the autosegmental phonology enlarge the use of definers (just like drift ) drawn from marine and maritime world, involving specific and complex linguistic phenomena (e.g. vowel armony). Remarkable the idea of anchoring : we can suppose it has filtered out in Optimality Theory from the Connexionist background and, probably, from a larger use in psychological and cognitive sciences. |
|
| dc.publisher |
Università di Pisa, Dipartimento di Linguistica |
|
| dc.source |
Studi Linguistici e Filologici Online |
|
| dc.title |
Il mare nella voce. Note su alcune metafore nella fonologia non lineare |
|