أعرض تسجيلة المادة بشكل مبسط

dc.creator Cummins, Maureen
dc.date 2008
dc.date.accessioned 2013-05-30T00:15:54Z
dc.date.available 2013-05-30T00:15:54Z
dc.date.issued 2013-05-30
dc.identifier http://www.philobiblon.com/bonefolder/vol4no2contents.htm
dc.identifier http://www.doaj.org/doaj?func=openurl&genre=article&issn=15556565&date=2008&volume=4&issue=2&spage=11
dc.identifier.uri http://koha.mediu.edu.my:8181/jspui/handle/123456789/3038
dc.description I began printing limited edition books in 1990, and for the first five years I did what I thought one was supposed to do when one started a press: I printed the works of celebrated dead writers. But as challenging as that process was – I was juggling the tasks of editor, artist, letterpress printer, designer, typographer, bookbinder, salesperson, and accountant – I began to feel restless. The romantic, beautifully illustrated books that I’d been producing bore little relation to my own life as a struggling artist in the East Village, and I sensed that there was more of myself that I could bring to the process.
dc.publisher The Book Arts Web - Peter D. Verheyen
dc.source The Bonefolder, an e-journal for the bookbinder and book artist
dc.subject Maureen Cummins
dc.subject artist's books
dc.subject artists' books
dc.subject collaboration
dc.title Collaborating with the Dead


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أعرض تسجيلة المادة بشكل مبسط