| dc.creator |
Runnells, Jamie |
|
| dc.date |
2007 |
|
| dc.date.accessioned |
2013-05-29T21:58:06Z |
|
| dc.date.available |
2013-05-29T21:58:06Z |
|
| dc.date.issued |
2013-05-30 |
|
| dc.identifier |
http://www.philobiblon.com/bonefolder/vol3no2contents.htm |
|
| dc.identifier |
http://www.doaj.org/doaj?func=openurl&genre=article&issn=15556565&date=2007&volume=3&issue=2&spage=33 |
|
| dc.identifier.uri |
http://koha.mediu.edu.my:8181/jspui/handle/123456789/2217 |
|
| dc.description |
Digitally produced books don’t seem to be taken as seriously as books produced by traditional techniques. While there are as many reasons for this bias as there are book artists, one clear reason is that digitally produced work often results in poor image/type quality (unintentional bitmapping, pixilation, line or moiré patterns, and jaggies. This article helps explain some of these issues and offers suggestions on improving output. |
|
| dc.publisher |
The Book Arts Web - Peter D. Verheyen |
|
| dc.source |
The Bonefolder, an e-journal for the bookbinder and book artist |
|
| dc.subject |
Jamie Runnells |
|
| dc.subject |
resolution |
|
| dc.subject |
print output |
|
| dc.subject |
laser |
|
| dc.subject |
ink jet |
|
| dc.subject |
pixelation |
|
| dc.subject |
digital printing |
|
| dc.title |
Beautiful Books Digitally |
|