| dc.creator |
Barrios, Pamela |
|
| dc.date |
2006 |
|
| dc.date.accessioned |
2013-05-29T21:29:31Z |
|
| dc.date.available |
2013-05-29T21:29:31Z |
|
| dc.date.issued |
2013-05-30 |
|
| dc.identifier |
http://www.philobiblon.com/bonefolder/vol2no2contents.htm |
|
| dc.identifier |
http://www.doaj.org/doaj?func=openurl&genre=article&issn=15556565&date=2006&volume=2&issue=2&spage=24 |
|
| dc.identifier.uri |
http://koha.mediu.edu.my:8181/jspui/handle/123456789/2046 |
|
| dc.description |
Much has been written about the beauty and function of the limp construction commonly used with vellum, historically and in the present. The limp vellum form is particularly appropriate for small volumes for personal reading. It was commonly used on prayer books and textbooks: octavo books of approximately 5 x 7 inches. The pages do not open perfectly flat, but the question may be, “did they need to?” or were they intended to?” |
|
| dc.publisher |
The Book Arts Web - Peter D. Verheyen |
|
| dc.source |
The Bonefolder, an e-journal for the bookbinder and book artist |
|
| dc.subject |
Bookbinding |
|
| dc.subject |
Limp vellum binding |
|
| dc.title |
Notes on the Limp Vellum Binding |
|