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Circuit Riders for Book Arts: Some Observations from a Road

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dc.creator Stewart, Bill
dc.date 2006
dc.date.accessioned 2013-05-29T21:28:01Z
dc.date.available 2013-05-29T21:28:01Z
dc.date.issued 2013-05-30
dc.identifier http://www.philobiblon.com/bonefolder/vol2no2contents.htm
dc.identifier http://www.doaj.org/doaj?func=openurl&genre=article&issn=15556565&date=2006&volume=2&issue=2&spage=9
dc.identifier.uri http://koha.mediu.edu.my:8181/jspui/handle/123456789/2037
dc.description As Vamp & Tramp, Booksellers, LLC, Vicky and I represent the work of 150+ contemporary fine presses and book artists. For simplicity’s sake, we’re going to use the term book artist for everyone, even though we know how inadequate and even insulting that broad brush can be. As we travel the country taking that work to institutional and private customers, we often talk with groups of book artists about the commercial side of things. We’ve been asked to write about the issues we cover about the commercial side of creating contemporary fine press and artists books.
dc.publisher The Book Arts Web - Peter D. Verheyen
dc.source The Bonefolder, an e-journal for the bookbinder and book artist
dc.subject Marketing
dc.subject Book arts
dc.subject Book sellers
dc.title Circuit Riders for Book Arts: Some Observations from a Road


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