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El uso del mapa de incidentes críticos y la narración para reflexionar sobre el aprendizaje musical

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dc.creator Pamela Burnard
dc.date 2005
dc.date.accessioned 2013-05-29T21:26:01Z
dc.date.available 2013-05-29T21:26:01Z
dc.date.issued 2013-05-30
dc.identifier http://www.ucm.es/info/reciem/v2n2.pdf
dc.identifier http://www.doaj.org/doaj?func=openurl&genre=article&issn=16987454&date=2005&volume=2&issue=2&spage=
dc.identifier.uri http://koha.mediu.edu.my:8181/jspui/handle/123456789/2025
dc.description What students say about musical learning speaks to the problems they have in trying to commit themselves to learning. This article addresses aspects of what musically matters to children at primary school and when they move from pri-mary to ‘the big’ school, and to teacher trainees and experienced teachers in becoming teachers of music. The use of critical incident charting is reported as drawn from datasets comprising interviews with young people aged between 12 and 16 and with pre- and in-service teachers. The article concludes with some ways in which music educators can en-gage in more reflective practice in school.
dc.publisher Universidad Complutense de Madrid
dc.source Revista Electrónica Complutense de Investigación en Educación Musical
dc.subject music
dc.subject learning
dc.subject research
dc.title El uso del mapa de incidentes críticos y la narración para reflexionar sobre el aprendizaje musical


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