| dc.creator |
Eugene de Klerk |
|
| dc.date |
2005 |
|
| dc.date.accessioned |
2013-05-29T21:00:15Z |
|
| dc.date.available |
2013-05-29T21:00:15Z |
|
| dc.date.issued |
2013-05-30 |
|
| dc.identifier |
http://www.sharp.arts.gla.ac.uk/issue5/deKlerk.pdf |
|
| dc.identifier |
http://www.doaj.org/doaj?func=openurl&genre=article&issn=17424542&date=2005&volume=&issue=Five&spage= |
|
| dc.identifier.uri |
http://koha.mediu.edu.my:8181/jspui/handle/123456789/1926 |
|
| dc.description |
Surrealism attempted to demonstrate the permeability of any barrier set up between subjective and objective reality. Not only did Dali revolutionise this project, he also pre-empted much of Lacanian psychoanalytic theory in the process. This paper argues for Dali's influence on Lacan as well his complex contribution (through the theory underpinning his Paranoid-Critical method) to any dialectical understanding of materiality. |
|
| dc.publisher |
University of Glasgow |
|
| dc.source |
eSharp |
|
| dc.subject |
Surrealism |
|
| dc.title |
A Striptease in Pink Limelight: Removing the Veil between the Subjective and the Objective |
|